The Tattooed Poets Project: Eboni Hogan

On this final day of the Tattooed Poets Project 2010, we have a double treat - the tattoos and poetry of both Jeanann Verlee (here) and her friend Eboni Hogan.

What follows is a tat-alogue of Eboni's body art.

She prefaces her work with the following proclamation:

"A Note About The Artist: A majority of the work (the shoulder piece, the peacock and the cherry blossoms) on my body were done by an amazingly talented artist named Craig Spencer out of Whatever Tattoo II on St. Mark's Place who was also my boyfriend of almost four years until fairly recently. Yay! It's a sado-masochistic love story! Some liken this to getting a man's name tattooed across my boobs but I can say he is truly one of the only artists I trust with my flesh."

And now the ink:

"This shoulder piece is a custom design that took the most amount of tweaking before I actually got it inked. There are three quill pens, a skeleton key and a key hole, all tied together with ribbons. I'd had a strange dream one night in which a creepy old woman handed me a set of keys, tied to three feathers and told me that if I could find the door, the key would let me out...


...In my dream, I draped the key over my shoulder for safe keeping (dream logic...) but when I finally reached the promised door, the key and the feathers were adhered to my skin. The image stuck when I woke up and I talked to the artist about designing a similar piece. He suggested that the feathers be quill pens to pay homage to my love of poetry."

Next we have an image linked inexorably to the history of tattoos in the West, with its background in naval history. It was inked by an unidentified artist at Capitol City Tattoo in Madison, Wisconsin:

"I adore old school tattoos of the Sailor Jerry variety. I am also really active in the poetry slam community and every team I have ever been coined "the anchor"- the poet put up towards the end of a slam to (fingers crossed) make a home run. At the 2008 National Poetry Slam in Wisconsin, I decided it would be suitable to get this piece on my ribs."

Next up we have some cherry blossoms on the back of Eboni's right biceps:

"Blossom on the tree you know how I feel. Text by unknown artist, Addiction Ink, St. Mark's Place, cherry blossoms by Craig Spencer. If my life were a television series, Nina Simone's song "Feeling Good" would be the theme song. On my worst days, this is the never-fail anthem. The particular phrase that I decided on just happens to be the line in the song that feels infinitely more magical when sung at the tops of one's lungs. Try it."

And last, but not least, this lovely peacock:


"Peacocks are symbols of renewal and are revered by multiple cultures across the world. Furthermore, let's face it- they got a whole lotta swag. I found a vintage painting of a peacock that I loved though it's not the traditional green and blue image people are used to seeing. I got it on my left hip so that it could also serve as a cover-up for a pretty awful tattoo I got when I was 17 and foolish."

Thanks to Eboni for sending along so many tattoos for us here at Tattoosday. Be sure to head over to BillyBlog to read one of her poems, dedicated to poet Jeanann Verlee, here. Jeannann's tattoo (here) precedes this post, and her poem is dedicated to Eboni.

24 year-old poet, actress and Bronx native, Eboni Hogan, has performed in over 30 U.S. cities and facilitated workshops from refugee camps to prestigious universities. She studied theater at New York University's Tisch School of the Arts. She is the winner of the 2010 Women of the World Slam Poetry Slam, the 2008 Urbana Grand Slam Champion and a two time representative of the Nuyorican Slam Team. She is published in the anthologies His Rib and Double Lives and recently released her first collection of poetry entitled Grits through Penmanship Books.

A Traditional Naval Tattoo on a 21st Century Ship

The USS New York was put into service today by the United States Navy.

Her hull was forged with steel salvaged from the rubble of the World Trade Center.

It's a momentous occasion indeed, and several crew members were in attendance with dignitaries earlier this week at the World Series.

As is happens, I noticed a gentleman in uniform outside of Madison Square Garden earlier in the week and he had this tattoo on both hands:


Turns out, the tattoo was modeled after this naval pin, which represents the rank of Boatswain's Mate, worn on the lapel:


The gentleman, whose name is Fred, serves on the USS New York, as the more commonly-known title of Ships Bos'n, and it seems appropriate to post this tattoo today as the ship officially enters the naval fleet.

Fred has been in the service for 26 years, and has seven or eight tattoos all told.

As Ships Bos'n he works with mission systems on amphibious maneuvers.

The crossed anchors are traditional naval insignia and, even though he drew this design himself and they weren't inked in a traditional tattoo shop, he recognizes the crossed anchors as symbols of his dedication to the trade.

I thank Fred for his service to our country, as well as his willingness to contribute to Tattoosday. We wish him well as he serves with pride on the USS New York!

Lizz's Tattoo Anchors Her to Her Brother

One of the things that I love most about writing Tattoosday is the way New York City plays a significant role in the narrative. It may not be a blog about New York, but it would be a much different one without this city I call my home.

This is one of those posts that is tied to the fabric of New York.

This evening, I was taking advantage of a free ticket to see a revival of Guys and Dolls at the Nederlander Theater, which is still in preview and opens March 1st.

I was standing in line outside, about twenty minutes before curtains. The theater, on the south side of West 41st Street, faces the back of the New Amsterdam Theater to the north.

There were assorted people milling about across the street, folks I assumed were crew from Mary Poppins, outside having their last cigarettes before their show started.

I spotted a woman who had exited the theater and saw, from across the street, that she had a tattoo on her right forearm. I was doing nothing but standing in line anyway, so I crossed over 41st Street to say hello.

Lizz, who works as a dresser, was more than happy to share her tattoo:


What's remarkable about this traditional-style anchor tattoo is that she had it done at the same time, on the same spot, and with the same design as her younger brother.

For Lizz, this was her most recent, her nineteenth tattoo. For her brother, five years her junior, it was his first.

The piece is based on the state flag of Rhode Island, where Lizz grew up:


Tattoos in general have significant meaning for their bearers. When the same design in shared, and the act of being tattooed is similarly experienced, the emotional charge instilled in the work is compounded.

Another example of siblings sharing a tattoo can be seen here.

Lizz told me that she doesn't rely on one artist, but that her ink has come from different shops all over the country.

This tattoo was created at Cherry Bomb Tattoo (now known as East River Tattoo)in Brooklyn by the artist Duke Riley. Work from Cherry Bomb has appeared here previously.

Thanks so much to Lizz for sharing her ink with us here on Tattoosday!